Ten Statements about Poetry

by Kelly Zen-Yie Tsai
0: It can make you walk away from death.
1: If you don’t look up, you will die in these pages.
2: I spend more time not writing, than writing.
3: Quality can’t be measured by waste. Quality is quality. Waste is waste.
4: Not writing leads back to writing.
5: Once I allowed myself what I loved, it all came less painfully.
6: Writing leads back to not writing.
7: If I knew other languages, I would know other things.
8: It’s not mysterious, but wonders reveal themselves when paid attention.
9: Leaves, skin, how the ocean cleanses itself. Make your own metaphor of this work.

yes. yes. and yes again. assignment to self: write ten statements about poetry. write a poem that is not tragic or longing.

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Filed under poetry, Writers & Poets

The Only Thing I Have to Slip Into

It’s been a time for living, some days I could even venture to say I’ve been living poetry. A good excuse for not keeping up my writing practice, which is not to say that the impression of these days should not be written down. A list poem, at least, which might include the words
tornado
Roseanne
emergency room
roller derby
ratchet straps
motel sex
southern accents
Wyoming
Deerhunter
redwoods
gorge
king’s chambers
Gypsy
goodbye
reunion
french fries
turtles
elk
electric toothbrush
passenger seat
ten and two
Biting on the gritty dust kicked up by hundreds of lightning bolts striking a purple sky.
Filling up the gas tank one more damn time.

In the past two weeks I have left, I have arrived, I have finished, I have started, I have reunited, I have jumped in, I have come home, I have returned, I have rarely been alone.
I am just catching up with the part that writes, that reflects, that tries to make meaning out of putting words together. I’m in no hurry. I don’t hurry very well.
The first thing I wrote after I returned, in front of the ocean, was a prayer.
Right before I left, when I was landlocked, before my love arrived, when I was often alone, I also wrote prayers. This was one.

Give thanks for prayer
when it’s the only thing
I have to slip into
the cracks of my cold,
tight heart. Give thanks
for clichés, though they
are the very things I warn
my students against using.
Clichés may be dead language
but we say these things over
and over for a reason, don’t we?
Sometimes things just need
to be said without a care
if it’s been said before.
The dead still need remembering.
Give thanks for warm nights
that let me stand out on my deck
in tsinelas and stare at the stars
Give thanks for the waxing moon
that is not yet half way full
because when I have nothing
to hold I imagine my own hands
hanging on to the bright edges,
dipping my fingertips into the dark
parts though I know the moon is always
round and full. It’s just a matter
of waiting for the light to shine.
Give thanks for all forms of transportation
the planes that carry my loved ones in the sky
and the car that will carry me away from this place.
Give thanks for the ability to take care of myself
even when it looks like having one more drink
even when it looks like smoke in my lungs.
Give thanks for the ability to run
and feel my muscles moving
even if my main motivation
to move is to release
my body from longing.

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Filed under cross-country road trip, Homesickness, Landlocked in Indiana, long distance relationships, love, mid-west, poetry, prayer, San Francisco

On Becoming an Ex-Writer: A Personal Essay (part 1 & 2)

Blessed and honored to announce that Part 1 & 2 of my non-fiction essay “On Becoming an Ex-Writer” just went live at Doveglion Press! Many thanks to editors Barbara Jane Reyes and Oscar Bermeo for the shine. Shout out to coming out and coming of age in the golden early 90s in Frisco, writing on walls, bombing partners and falling in love with words, one at a time. Trying to connect the dots before they fade…
Check it out and let me know what you think.

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Filed under 90s hip-hop, blues, childhood memories, community organizing, friends, getting politicized, graffiti, Inspirations, literary universe, origins, poetry, San Francisco

I Do Not Know Our Name, But I Can Tell You Where It Comes From (work-in-progress)

Our name came from
a wood-burning fire
in a dirty kitchen,
a limp arm thrown
over the shoulder of a man
slow dancing,
a dark grey feather
floating down
to the ground.

It came from peeling back
corn husks, frying bawang
in hot peanut oil, twisting
a carrot root out of the
salty earth from its top.

Our name came from the pucker
of dried plum rubbing
inside our cheeks,
the pale yellow memory
of a sampaguita flower.

Our name came from
a secret password
that only opens
without trying.

It came from
a question.
A little girl tugging
at her mama’s pant leg
asking why the moon is in the sky the moon is in the sky the moon is in the sky.

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Filed under colonization, origins, Pacific Ocean, poetry

The Other Side

That night
you enter the tunnel
back in your country of subways

*there is no easy way

Inhale moss and tar and vibrating
air that always waits for the next train rush
air that does not know moonlight

there is no easy way

Tunnel the length of a blues song
tunnel your chorus
take your time warming up

should I, should I ask for more

Belt out Etta James,
nightsilk worn by the friction
of deep thunder and lightning

so I won’t be wasted

You’ll never hit
these notes again

like sugar on the floor

once they carry
you to the other side

*Lyrics from “Sugar on the Floor” by Etta James

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Filed under blues, love, music sweet music, poetry